1. Year of Production
  2. Concept, Camera, Editing, Sound
  3. Object
  1. 1998
  2. Sonja Wyss
  3. Sonja Wyss
The installation consists of 5 video’s and 1 object. The video’s are taken at the dogpoliceguards and shows short fragments of the training of the dogs as policesdogs. The full attention goes towards the dogs, which are portraitet as neurotic, stressed animals, educated to serve as a weapon, the agents are not in the picture. This atmosphere is underlined in the monotonous repeating of the video’s, the soundtrack as well reveals in its monotony its machinery source, but alienated, and the tool hanging on the wall from the wall made out of plastic, leather and artificial fur.